Syntetica

Syntetica is a Paris-based climate and materials technology company solving one of fashion’s biggest sustainability challenges: how do you recycle nylon when it’s blended with other fibers? Their chemical process pulls virgin-quality nylon back out of mixed textiles. No cutting, no sorting, no compromise. We partnered with them to build a brand as precise as the chemistry itself.

Industry

Climate

Deliverables

Brand Strategy, Visual Identity, Photography, 3D Visuals, Website, Brand Film

Syntetica serif wordmark centred on a grainy brand gradient
Marco and Louis in white lab coats in the Syntetica lab
Close up of a glass container

The Challenge

How do you make recycling attractive?

Syntetica sits between two industries that don't look anything alike. On one side, chemical majors like BASF, where the visual language is safety orange and stock photography. On the other, the fashion brands they need as partners. The brand had to work for both, and for the press, investors, and chemists they needed to recruit. Scaling climate tech is capital intensive and slow, so looking the part is essential to buy you time and get you buy-in. That was the brief.

The Bet

Chemistry is beautiful.

Sustainability has a look, and it isn’t a good one. Ask anyone to picture something eco-conscious and they’ll land somewhere earnest and a little drab. That’s the choice most green brands hand people: look good, or do good. So we went the other way. Syntetica doesn’t ask anyone to give anything up. Change the planet, without changing habits. That became the platform, and Beautiful Chemistry became the endline that carries it, science and style treated as one thing rather than a compromise between two. The tagline does the same work on the material itself. Nylon’s problem is that it lasts forever. Said another way, that’s the whole appeal: we make nylon go on and on and on.

Full width brand image from the Syntetica identity
Syntetica identity application, wide format
Syntetica identity detail, upright format

The Look

A chemistry brand that behaves like a fashion brand.

Logo

We drew the name twice. A slab serif for the buttoned-up contexts, chemical majors, automotive suppliers, industrial partners. A handwritten version for internal use and brand communications, which is the one the team reaches for most, and which we animated so it draws itself on screen.

Type

ABC Gramercy sets headlines and body. ABC Walter Neue drops into headlines in bold to pull single words forward, and carries labels and small text. Both from ABC Dinamo.

Syntetica color palette

Color

Three neutrals: a warm reddish black, an off-white closer to marble than paper, and a grey. Against those, three accents borrowed from motorsport: Italian Racing Red, British Racing Green, French Racing Blue. Marco is Italian, Louis is French, and Marco studied in the UK.

Graphic Elements

Grainy gradients, developed from the original moodboard, run as backgrounds across the brand and have become the thing people recognize first. They read as pigments combining into new colors, like a reaction resolving into something new. Over them, kinetic patterns: the wordmark, or NYLON 6 and NYLON 6,6, repeating and curving across images and fields. It's the tagline made visual. The material goes on and on and on, and so does the type.

Kinetic nylon pattern curving across a brand gradient
Syntetica graphic system applied across a wide format layout
Syntetica graphic system detail, upright format

The Imagery

The camera gets as close as it can. 3D goes the rest of the way.

We flew to Reims with photographer Nicolas Kern to capture Marco and Louis in their lab. The lab was small, so we worked tight: flasks, beakers, the reactor where the process actually happens, shot close enough that the equipment stops reading as equipment. The instinct in deep tech is to photograph a lab like documentation. We lit it like a campaign instead, and the constraint became the look. For what a camera can’t reach, we built a set of 3D visuals. Glass forms that hold color like a solution, spheres that separate and recombine, all of it sitting on the brand gradients. Molecular behavior without a single diagram.

Close lab photography of glassware lit like a campaign
3D visual detail, upright format

The Film

Lasts forever. That used to be the selling point.

Nylon was introduced to the world as a miracle of modern science, so the film opens by borrowing that voice. Scratched black and white footage, a brassy period announcer, brush script title cards. The pitch runs exactly as it would have then. A little crude oil, a whole lot of energy. Lasts forever. Non-biodegradable. Then the reel hits the landfill and the tape rewinds, because the line that sold nylon is the reason it’s still sitting there. From that break the film moves into the present, into gradients, 3D, and the lab, and lands where the brand does. We make nylon go on and on and on.

The Result

A chemistry company that looks like one worth watching.

The brand launched in two stages. Identity, photography, and a landing page went live with Syntetica's €4.2M seed announcement in July 2024, about four weeks after concept sign-off. The full website and the brand film followed a few months later. Two years on, Syntetica has raised a $30M Series A led by Bpifrance, with Lululemon, MAS Holdings, EQT Ventures, and SWEN Capital Partners participating. They’ve added Victoria’s Secret to a partner list that already included Etam, and signed a partnership with Michelin’s Center for Sustainable Materials to build a commercial demonstration facility in Clermont-Ferrand.

Syntetica brand application following the results section
Syntetica brand application, second of the pair
Syntetica sample box printed with the process diagram in brand gradients
Syntetica site shown on a phone against a dark backdrop
Omoi fundamentally brought to life what our brand was, and were able to perfectly capture the collision between scientific and textile worlds with exceptional originality. I’m so proud of the brand we’ve built.

Marco Bertone, CEO

Syntetica

Chemistry flask heating liquid

Credits

Creative Direction

Carl Versfeld

Graphic Design

Emilie Mottet

Film Editor

Carl Versfeld

Web Development

Stefan Grubacic

Project Management

Monica Kelly

UX/UI Design

Monica Kelly

Photographer

Nicolas Kern

Strategy & Copywriting

Evan Slater, Monica Kelly

3D Design

William Norberg

Type Foundry

ABC Dinamo

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