Hywatts

HyWatts builds the Power-Plant-in-a-Box™, a modular energy platform that runs on sun and atoms and can be dropped wherever power is needed. It generates renewable energy on site, stores the surplus as hydrogen, and converts it back to electricity on demand. We partnered with the Berkeley team on their brand, website, and Series A raise.

Industry

Energy

Deliverables

Brand Strategy, Visual Identity, 3D Visuals, Website, Pitch Deck

Power-Plant-in-a-Box™ headline on dark isometric unit pattern

The Challenge

Who wants a power plant in their back yard?

Power is getting slow, expensive, and unreliable at exactly the moment everything wants more of it. EV charging and data centers alone will draw as much power as fifty million homes by 2030, and grid connections take years. HyWatts solves that by putting the plant on site, which means their product does not live in a substation somewhere out of town. It lives behind a housing development, next to a charging hub, in view of the people it serves.

Which is a branding problem as much as an engineering one. Hydrogen has spent two decades being explained badly, usually by companies that look like engineering firms because they are engineering firms. HyWatts needed the opposite.

HyWatts units installed in a field

The Look

Nothing here is trying to look like the future.

Wordmark

A slab serif Hy, solid and engineered, joined to a hand-drawn script Watts. Hy does a lot of work in two letters: hydrogen, hybrid, hyperlocal, hyperefficient. Watts also does double work, a nod to a unit of energy and a naming opportunity for a mascot. Speaking of which.

HyWatts wordmark applied on the unit
HyWatts neon lightbox sign

Mascot

A literal power plant. The pun is fully intended. Wattson is a hand-drawn flower with a face and a walk, and he is a power plant. He shows up on the side of the unit, in the app, on the site, wherever the brand needs a face rather than a diagram. When friendliness is the brief, it’s hard to go wrong with proper hand-drawn illustration.

Type

Fort Extrabold Condensed sets the headlines, squared and engineered. Crimson Text carries the body, an old style in the Garamond tradition and not the font anyone expects from a hydrogen company, which is the point. It reads like something written rather than specified. IBM Plex Mono handles the labels and buttons.

Animated grid stats card

Color

The palette follows the same logic. Orange and a bright sky blue carry the optimism, cream and pale lime keep it warm, and a dark navy with a run of greys sits underneath for the moments the material turns technical. Closer to a public park than a power station, and still able to hold a spec sheet.

HyWatts sticker photo

3D

We built a 3D system with three registers. Isometric for the explainers, turning generation, storage, and conversion into something a non-engineer can follow in one pass. Aspirational for the hero work, the box sitting in a green hillside under a very good sky. We are not going to pretend the reference is anything other than the Windows XP desktop. It sets the tone in one frame: this thing is welcome here. Realistic for the proof, showing the box in context and at scale, powering off-grid communities and charging stations, for the investors and developers who need to picture it on their own site.

3D rendered objects in cream

The Rollout

Emerging into the world with real energy.

We applied the look across a new website—www.hywatts.com—and pitch deck to allow HyWatts to emerge into the world with the energy it needed to get investor buy-in and bring power to the people. The work transformed the brand from one you wouldn’t want in your backyard into one that is friendly and easy to understand.

HyWatts brand application photo
HyWatts app on a phone

Credits

Creative Direction

Carl Versfeld

Art Direction

Helder Pina, Carl Versfeld

UX/UI Design

Alba Panyella, Helder Pina

Web Development

GRAND st.

Project Management

Brittany Whyte, Naima Lorentzon

Motion Design

Helder Pina, Jane Kukharchuk

Illustration

Clara Norborg

Strategy & Copywriting

Gabe Stuart, Monica Kelly

Graphic Design

Helder Pina, Clara Norborg, Jane Kukharchuk, Anuja Tripathi

3D Design

William Norberg

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